Showing posts with label Edgar Degas. Show all posts
Showing posts with label Edgar Degas. Show all posts

Wednesday, March 8, 2023

The Pastels of M. Henri Roche, Paris


 

As I've been preparing some of my original pastels, for a Spring sale, a memory of seeking out pastels in Paris came to mind. Two famous pastel stores were a goal - Sennelier and La Maison du Pastel. The first was easy as it's just across the Seine from The Louvre. The second would prove to be a challenge.

 

It wasn't easy locating the little shop that still made the pastels that chemist, Henri Roche, had made for such famous pastelists as Degas, Redon, Whistler, up to present artists. I had read about La Maison du la Pastel on the internet and wanted to find this out-of-the-way shop that was only open on Thursdays from 2-6 PM. I did find it but, alas, it was closed. There was a note on the door. I don't know French, but two-years of  Latin gave me a rudimentary idea of what was written. It seems the person in charge was next door having tea.

Bold American (me)walked into the bar and asked for Madam Roche. The waiter had no idea what I wanted. He kept trying to seat me. By a process of elimination, I found Isabelle Roche. Nothing like I expected. She was the young, college de-greed granddaughter of M. Roche.

  She had decided to use her grandfather's book of formulas to re-create his work. I thought her very clever considering the challenge she set up for herself. After all, her grandfather had collaborated with Degas, known to be difficult at best, to create acceptable pastel sticks. 


Madam Roche and I walked to the shop, which looked and felt like a typical old Paris warehouse. 

She asked what color I wanted. I said, "Gray." From behind her, she pulled out tray after tray of grays... blue gray, red gray, and so it went. I was enthralled and next asked for green. Out came tray after tray of every imaginable green.

 

 

I made the mistake of not asking the price. Madam finally brought me back to reality. She said, "These pastels are expensive," and rang up what I had so far. Mon dieux! I left in a financial daze with my carton of beautiful pastels wondering if Degas had experienced the same dazed feeling. (Below are pastels by Degas, Redon and Whistler in that order)





Tuesday, August 13, 2013

Is it REALLY Black?

When I was trying to advance my understanding of high-contrast black and white (think Rembrandt), I created a series titled, "Hidden World (at the White Lotus)." After I finished the originals, I took them to my favorite giclee (fine art prints) artist, Janet Smith of Sterling Editions, and asked her to recreate the colors.

Seems I put a very hard task in front of her. She commented that there were many shades and tones of black in each painting.

What does that mean? According to sources, black is the absence of light. Black alone makes for a lack of information to the viewer. Here are paintings by some of the masters. Do you notice what they did to give form and focus (or unfocus) to the object?
(click on image to enlarge)

"Portrait in Black & Grey" - James McNeil Whistler


"The Brawl" - Giacomo Ceruti


"Portrait of a Bearded Man" - Giorione Barbarelli


"Petunia - Purple & Black" - Georgia O' Keeffe


"The Bellelli Family" - Edgar Degas


(Next blog will be about Pierre Soulages. He is a 91-year old French painter who has been painting in black since the 1970s.)